This week’s review is of the That Time I Broke Time, a debut novel by indie author Sarah Emily Lelonek. It is listed as YA and SciFi/Fantasy. Currently, it is enrolled in Kindle Select. Enrollment in this program means that it is only available for purchase through Amazon’s Kindle Store, or through Kindle Unlimited. I do not have a Kindle Unlimited subscription, so I paid the reasonable purchase price of $3.99 (at the time of this posting).
View the video review, here.
Disclaimers & Disclosures
Full disclosure, I am personally acquainted with the author. We are in both in the AkroNaNoWrimo group for National Novel Writing Month. This does not influence my opinions on the book, and I am receiving no compensation for this review, except maybe some free press (like a blog link, or a Facebook post. Twitter is nice 😉 )
About the Author
Sarah Emily Lelonek is a new author from Akron, Ohio. She holds a B.A. in English from Kent State University and M.Ed. in Higher Education Administration from Tiffin University. She has a yorkie named Joey.
You can find her on
That Time that I Broke Time is estimated at 165 pages by Amazon. The typical reading time, again according to Amazon, is 3 hours and 18 minutes. I did not clock myself as I did not read the book all in one sitting, but I am a quick reader and this estimate seems fair. At the time of this writing, the book has one 5 star Amazon review.
While the book is currently only available as a Kindle ebook, Sarah says that she plans to release it as a paperback this coming April. I will attempt to remember to update this post with the additional availability. It is currently only available in English, and I am not aware of any plans for translation at this time.
A sequel is planned for later this year. I will attempt to remember to update this post when that becomes available. Also, I will do a review.
First, I will say that cover really fits the target genres. It’s got all the things I would look for as a reader in SciFi/Fantasy cover, particularly with a bent towards the YA portion of the genre. Color. Action. It makes me want to read the book.
One thing about the cover bugs me though, and I find that this is a common occurrence for me not only with indie books but with many, many traditionally published novels. The picture of the main character on the cover does not (to my mind) line up with the written description. Early in the story, Ellie describes her hair as “long, chestnut brown hair” and later as a “dark mane.” The girl on the cover is blond! Blond!
Okay, so that’s really just a pet peeve of mine, and it doesn’t detract from the fact that the cover is well done and eye-catching.
The “interior,” if you will, is pretty much what you would expect from an ebook that has been put together well. The chapters are clearly delineated with pleasant looking headers, and scene shifts are well indicated. I’ve definitely come across ebooks where the latter was not the case, and it gave me a form of mental whiplash.
No teaspoons lost there.
The blurb reads:
The future doesn’t freak out Ellie Evensten. Being a product of the 2100s, Ellie is accustomed to hovers, holos, and even time travel. Ellie knows all about time travel from her adopted parents, but they didn’t mention how the time travel gene mutates with every generation of new travelers.
Now at age eighteen, Ellie is starting college with her best friend and boyfriend. Life is almost perfect. That is until she finds herself dealing with a whole new reality: Ellie is actually her parent’s birth child. She can not only time travel, but also break and bend time on her own volition.
Ellie’s life does not become easier with her new abilities. When Ellie’s parents are abducted, she not only faces an evil organization set on controlling time travelers worldwide, but she must also learn to cope with her own emotions before she breaks time for good.
There’s a whole lot of interesting stuff to dig into here, but let’s get this out of the way first: the book follows a trope. Well, a blend of tropes.
The protagonist discovers (bonus points for on a significant birthday) that she isn’t who she thought due to some secret about their family or the circumstances of her birth. Oh, and now she has awesome powers, too!
This has been done. And done. And done.
“Yer a wizard, ‘Arry!”
Here’s just a few other examples, besides J.K. Rowling’s Harry Potter:
- Rand Al’Thor in Robert Jordan’s Wheel of Time Series
- Shea Ohmsford in Terry Brooks’ Sword of Shannara
- Luke Skywalker, Leia Organa, and Anakin Skywalker (the whole dang family, really) in George Lucus’ Star Wars (the movies or the novelizations, take your pick).
- Sookie Stackhouse in Charlaine Harris’ Sookie Stackhouse novels aka True Blood for you HBO fans.
- Percy Jackson in Rick Riordan’s Percy Jackson and the Olympians series
- Diana Bishop in Deborah Harkness’ A Discovery of Witches
- Richard Cypher in Terry Goodkind’s Sword of Truth series.
I mean, I could go on for days. I didn’t even list all of the ones my friend helped me come up with when my brain got stuck.
But the reason it’s been done so many times is that. Heck, I even have an unfinished manuscript with the same trope! It’s a pretty good launchpad for all sorts of crazy adventures. Every story I just mentioned (aside from my unfinished one) is well beloved for totally different reasons, vastly different plots (although some do follow similar archetypes in other respects), in part because they all put their own twist on the trope.
In this case, the twist is that the protagonist is a carrier for time-traveling genetics that she had believed she could never have possessed, due to her parents faking her adoption. Points for originality, because I’ve read a lot of fantasy and sci-fi, and I can’t remember coming across that combination before. It’s an intriguing premise. The science behind the TT gene itself is glossed over (yay, suspension of disbelief!). And honestly, I’m glad the author chose not to just throw a bunch of physics babble in there and bullshit the reader through it. The main character didn’t know how it worked, admitted as much and we moved on.
But, while it’s not the hard and heavy footnote-laden steamroller that a Michael Crichton novel would be, That Time I Broke Time does it’s best to explore some of the big questions outside the protagonist’s own turmoil. In particular, the story tackles a big one: what would the governmental and societal reaction to such a power be?
So, the premise, in my opinion, is great. I give it five teaspoons. But now that leads us into the execution, and that is where many a grand premise goes to die. Bwahaha!
Okay, just kidding.
Main Protagonist – Eleanor “Ellie” Evensten
At the beginning of the story, Ellie is… how do I put this? I find her just annoying and self-absorbed, but in that I-just-turned-18 sort of way. The good thing about this is that it gave Ellie plenty of room to grow as a person from the first sentence to the last. What Ellie has going for her is a good character arc. And because we are in her head the whole time, we really get to see the changes in her as the plot moves forward. She shows progress as a character through the story as she begins to look outside of herself.
Main Antagonist – Kyle
Kyle starts out the story as Ellie’s boyfriend. Honestly, there doesn’t seem to be much to his character besides the fact that he’s a dick. I don’t even like having to say that word on camera, but it’s pretty much the best summary of his persona there is. However, Kyle doesn’t spend too much time on screen, and I find his flatness forgivable, especially since the real villain of the story is much more complex.
I’m just going to lump all the Evenstens together here. Ellie’s family is supportive almost to the point of being irritating. I don’t think they actually reprimand her for a single thing the entire story, even when they probably should have. They’re very loving, doting parents, but again, they seem a bit flat as characters despite the absolutely freaking massive secret they’ve been keeping from their daughter. Grandpa, too. He seems to lack some depth for the badass he seems to be. I’m hoping for some more development of Gramps in the next installment.
The best friend (Nat), the childhood best friend (Taylor), and the new probably future bestie (Ying) to round it out. The friends where just interesting enough not to be complete paper-cutouts for me. I feel like you could replace a couple of them with totally different people and I don’t think it would have affected the story much, if at all. Moving on.
All in all, Ellie’s strong character arc is what saved this portion for me. Everybody else just felt a bit flat for one reason or another. Still, it feels like there’s some great potential in some of the side characters. I really hope they get a chance to shine in the future. Three teaspoons.
I teetered between 3 and 4 teaspoons for this section.
In any kind of fiction, but particularly speculative fiction, worldbuilding is paramount. You have to make enough of the world feel real that the reader can suspend their disbelief for the really crazy parts. That Time I Broke Time seems (most of the time) to find a nice balance between overt in-your-face acts of worldbuilding (hover cars, because future) and subtly (like the evolution in teen/college-age alcohol/drug culture). There was obviously a lot of thought put into several key aspects of the world in which Ellie lives. The society and governmental structures that have formed in this world are well thought-out and make sense (at least to me) given the technologies described. But then there are some things that just seem like they were popped in as either being throw-away, expected because of the future-world premise, or plot crutches, which we’ll talk about in the next section.
I think the thing that put the worldbuilding over the top for me and into the solid 4 teaspoons was the International Time Traveling Organization (ITTO) and its genuine nefariousness. It’s all the the terrible things that can go wrong with a governmental body with too much power and not enough oversight. The true evil in the story, the ITTO as a natural result of the TT gene is what makes this story for me. It answers the big “so what?” about time travel. We have humans with the super-ish ability to go back in time? So what? We have to regulate them! But where do we draw the lines? I’m so excited to see where this goes and how it develops in the sequel.
This is another section where I teetered on what score to give. I’m going with the 3 teaspoons, and here’s why.
On one hand, the story keeps moving. It’s well paced. It’s slower where it needs to be and faster where it needs to be. The action is good. There’s a good level of anticipation and suspense.
Some things in this book were just too dang easy. The “modern” medicine really just felt like a crutch. There’s an entire scene based around it that I felt could have just been completely skipped. Like, completely, and nothing would have been lost from the story.
Some of the help the receive is also just, so convenient. I would have liked to see more trial and error, more struggle for the characters.
First, let me start by saying that Sarah is a talented writer. Her writing has a clear voice and presence. She does well with evoking all five of the senses. By the end of the first digital page, I had a strong sense that I was going to enjoy this book on pure style alone. And she didn’t disappoint.
I did notice a handful of editing mistakes, but honestly, they were minor enough that I didn’t even care. If I had not written down reminders and highlighted them all on my Kindle I probably would have forgotten all about them. I’ve seen far more egregious mistakes in professionally published books that went through only heaven knows how many rounds of editing, copying editing, and proofing. Heck, my own debut novel probably has worse editing mistakes. I’m too much of a coward to look at this point because there are so many print copies already out in the world.
I liked this book. I’ll be honest, I originally didn’t think that I would. That Time I Broke Time was a fun read. It’s not overly lengthy, and can be enjoyed of an evening if you’re a quick reader. It’s well written and well put-together. Although it could have used some fortification in some areas, the plot was interesting, and the premise was stellar.
A note on the genre labeling, to those who are wondering if this book is appropriate for their teenagers. While this book is targeted to a YA audience (according to Amazon), if I were personally asked to label this book, I would call it New Adult (NA). Sarah does not shy away from the profanity. There were a few f-bombs within the first five or so chapters. The first chapters show some questionable behavior (drinking, substance use) before getting into some rather adult stuff. If your child is less than 15 I would consider pre-screening the book first.
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